Non-commercially-motivated people who have felt enslaved, oppressed or economically exploited have always--either individually or collectively--created public domain, topical folk songs that protest against the System that enslaves, oppresses or exploits us. And non-commercially-motivated people--either individually or collectively--have always written public domain, topical protest folk songs that urge those who sing or listen to these non-commercial protest folk songs to collectively revolt and make a political, economic and social revolution.
Some commercially-motivated songwriters, professional entertainers and global corporate media conglomerates, however, sometimes made a lot of money by writing, singing or marketing some privatized/copyrighted topical protest songs to a mass audience of vinyl record or cd consumers in the 20th-century.
Yet despite the commercial success of some of the commercially-motivated individual professional songwriters and entertainers--who capitalized on the global corporate media conglomerates' transformation of some topical protest songs into commodities in the second half of the 20th-century--most people on earth in the 21st-century are still enslaved, oppressed or economically exploited by the System.
Protest Folk Magazine believes, however, that a topical protest folk song should be a public domain tool for creating revolutionary social change--and not just an additional way for professional songwriters, professional entertainers or global media conglomerates to make a lot of money in the 21st-century, while most of us folk on earth continue to live in poverty, under the System's current global economic set-up.